Episode 6 – Jellyfish Can’t Swim in the Night


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One of the minor details that I didn’t like about the show’s premiere was the way it handled Meeko, an idol who was taken over by Stream Kano and Yoru at the climax. Not only is Meeko treated as an easy punchline (taking a seemingly arrogant and bogus performer down a peg is a common tactic for cheap and innocent assholes), she also has a vulgar connotation. It was depicted as something. Intentionally or not, I felt like the writers were contrasting the more “realistic” art the heroines create with Meeko’s histrionic pandering, which didn’t sit well with me. . As far as we knew, the girl was just as motivated and sincere as Kano. Treating her as an acceptable target felt strange when the entire episode focused on her morality of being herself regardless of what others think of her.

So imagine my surprise when Meeko is brought back to life in this episode, instantly humanizing her in a way no one expected. First, it was revealed that she had paid out of pocket for the posters Yor had torn up for temporarily covering up her public street art. Dick moves, girls. What’s more important is that you can immediately see what kind of person she is outside of her cheerful idol image. Her 31-year-old divorced mother is trying to support her young daughter while juggling multiple jobs while keeping her dreams ablaze. Other than the pure shock of her age being revealed, it immediately opens up different ideas for the show to play with.

Miiko faces many of the same challenges as the main characters, but on the other side of adolescence. She is trying to achieve her dreams, but in contrast to the youthful optimism of a teenager, she has more than a decade of failure and perseverance. Like Yor, she must struggle with feelings of inferiority while trying to establish an identity that she can be proud of. Her relationship with her daughter immediately sparks comparisons with Kano’s estranged producer and her mother. Her daughter Ariel is completely devoted to her mother’s idolatry, which makes her bond with May touching. All of this also touches on the topic of systemic misogyny in the entertainment industry, while requiring her to project a sanitized version of herself in order to be accepted by her Miiko. These were great avenues for exploring the cast and themes by reintroducing characters who at first seemed like total jokes. amazing!

…unfortunately, jellyfish Here’s another episode where the setup far outweighs the payoff. Sure, there are a lot of interesting angles to explore through Meeko’s character, but the writers never really pick and choose what to focus on. Therefore, none of them can receive a fair evaluation. It seems like the story will delve into the issues between Kano and her mother, but that aspect disappears in one scene. May and Ariel’s relationship has a better outcome, but lacks the focus of a proper emotional climax as they have to share time with JELEE’s improvised stage show with her. The episode ends with Meeko reclaiming her real name, Shizue, and revealing her true life to her fans. This is a truly radical move in an entertainment industry based on carefully crafted personas, and the episode essentially hand-waves the result as a joke. The event that fuels everything in this episode is Shizue asking her JELEE to write a song, but we don’t get to hear it.

It’s a frustrating way to resolve an episode because it feels like so much potential is wasted or pushed into a vague future. Kano’s story will come back later, but if we’re not going to develop it meaningfully now, why spend so much time on an already busy episode? You brought up the kiss, but none of the characters meaningfully mentioned it? Why did JELEE’s performance include music when the whole episode started with him writing a song for Shizue? It’s an interesting idea, but the interplay between the heartfelt scene in which Ariel stands up for her mother and the joke about Yor cowering from the audience while playing out the love triangle makes it seem like both sides are You’re actively hindering both the drama and comedy of the moment.

All the negative things might make it sound like I hated the episode, but it’s actually the opposite. There’s a ton of great material here just waiting to be explained and explored. jellyfish The film is captivating when the characters just express their raw emotions and forge a connection through shared anxieties. But it continues to work out those feelings through story beats that are either too clean, too easy, or unsatisfying. I want this show to be a stronger, more focused version and live up to the ambitions it clearly has.

evaluation:




Jellyfish can’t swim at night is currently streaming on HIDIVE.



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